Composite Ruby Story.

I recently had a composite ruby at my desk for appraisal and had to deliver bad news to the client. The stone was set in a high karat value, was well designed and manufactured. The client thought they had made a good buy from the second hand dealer. While the client did not over pay for the mounting, they did not make a buy that they could resale for a much anticipated higher amount. This article published by AGA explains what composite ruby is…..

Put lipstick on a rock & call it ruby!

This article has been submitted to the AGA courtesy of Craig Lynch, AGA Board Member (Ouellet & Lynch), with an introduction by Board Member Antoinette Matlins. All research described below was done by Lynch; Matlins was active in determining the extent of the problem among retailers and other vendors.

For thousands of years, the ruby has been considered one of the most valuable gemstones on Earth. A fine ruby (i) has everything a precious stone should have: magnificent color, excellent hardness and overall durability, outstanding brilliance, and extreme rarity. Such stones command high prices, and the finest and rarest rubies cost more than sapphires, emeralds, or the finest colorless diamonds in comparable sizes.

Today, however, an increasing number of people—both in America and abroad—are finding that the "ruby" they have purchased is not what they thought it was. In fact, they are nothing more than a mixture of very poor quality corundum (the mineral known as "ruby" only when it occurs in a red color) held together by tinted lead-glass. They are created from opaque to semi-opaque rocks containing corundum and other minerals in which the extraneous minerals are leeched out by a chemical process, leaving numerous voids that are then infused with glass. In the composites now being seen by gemologists and laboratories, the glass component typically comprises 30-40% of the stone, or more!

Some labs are now describing such stones as "composite ruby" and many have been found to contain more glass than anything else. While "composite stones" have been around for hundreds of years, these are produced in a different manner than old-fashioned composite stones, and as a result, went undetected until recently. Most gemologists are also calling them "composites" and think they should be classified as imitations. According to The World Jewellery Confederation known as CIBJO (an affiliation of organizations from 40 nations and whose mission is, among other things, to protect consumers), composite stones are "artificial products composed of two or more, previously separate, parts or layers assembled by bonding or other artificial methods." While these new composites don't fit this description as understood historically, given the percentage of glass present in the finished product, these rubies are clearly "composed" of two separate parts: corundum and glass, albeit, not 2 "single" separate parts. Nonetheless, how can they be considered anything else? Furthermore, without the glass infusion, these stones lack sufficient structural bonding to stand alone -- many will crumble in your hand without the glass infusion to give them stability. Think of a sponge; this is similar to what these "rubies" look like after the leeching process, and so extensive amounts of glass are needed to fill in the "holes" before they have enough strength to allow them to even be cut. Without the glass, most would crumble into multiple pieces!

These composite rubies are now appearing with alarming frequency within the jewelry marketplace. The starting material is too low-grade to be considered a gemstone, and the finished product lacks the durability, rarity and value of a gemstone. For this reason, many gemologists consider them imitations.

They have now been in the marketplace for only a few years but serious problems have already begun to surface in terms of the wearability and durability, and complaints are rising at an alarming rate.

Composite "ruby" is not "treated" ruby.

Composite "ruby" must be distinguished from treated rubies.  Rubies have been routinely enhanced by a variety of techniques for almost half a century, and are well accepted within the trade. One must assume that any ruby has been heated unless there is documentation from a respected laboratory confirming that it is entirely natural. Fine natural rubies are among the rarest of all gems today—an exceptional 8.60 carat natural ruby sold at auction for $465,000 per carat! Without such treatments, as this gem demonstrated, naturally beautiful rubies would be so scarce and costly that only the world's wealthiest would be able to afford them.

Treated rubies are priced according to their appearance after the treatment, and depending on the type and extent of treatment used. Various heat treatments have been used for decades. In some, extremely high heat is used and this often results in glass residues found in surface-reaching cracks. Glass-filling (or in-filling with oils) may also be used specifically to reduce the visibility of a larger crack or cracks found within an otherwise beautiful ruby; these are called "glass-filled" rubies. When present, these treatments are indicated on laboratory reports. But these types of treatments should not be confused with what is being done to create a "ruby" from low-grade material, from which extraneous minerals have been chemically leeched out, leaving multiple voids that must be infused with glass in order to have sufficient stability to be cut.

About Composite "Ruby"

Treated rubies with glass in fractures or in surface fissures have been around for a decade, but these new "ruby-composites" began to enter the international market around 2006, and have been surfacing with increasing frequency in the USA since around 2008. In the first part of 2009 I checked approximately 30 locations in four states, looking for composite "ruby" in retail locations. My search included department stores, mall jewelers and independent fine jewelers. I found the composite "rubies" only in one nationwide department store at that time, being sold as genuine, natural ruby! Today, just one year later, the picture is much worse: they are in at least five well-known national jewelry store chains, being sold without disclosure. So it is now entering the mainstream jewelry distribution system in the United States, as well as internet venues, auctions, and many cable TV jewelry channels. I have also seen it in local live auctions in Phoenix, Arizona, and on a cruise ship in 2009. Many of these low-end jewelry outlets have not disclosed the fact that the items they are selling are in fact a mixture of tinted glass and low-quality corundum. That creates a big credibility problem for both the consumer and for the mainstream jewelry industry.

An additional cause for concern is the fact that these glass-composite "rubies" are not at all durable, especially when compared to other treated rubies, even those with minor glass present in fillings or in surface residues. Moderate heat from a jeweler’s torch will severely damage the composite "ruby." Putting the ruby in a jeweler’s "pickle" will damage these composite "rubies" within minutes (see Exhibit J below). I put a ruby in a glass and squeezed fresh lemon juice into the glass; after 48 hours the composite "ruby" was damaged (see Exhibit K below). Any ruby piece of jewelry that is taken in for repair must be checked to see if there are indications of the stone being a composite "ruby.

The good thing it that it is relatively simple to learn to detect composite "ruby." Below I have provided information and photographs that will be a good start in the process of learning how to detect composite "ruby." The information below is meant as a beginning point and does not include all of the techniques that can be used to identify these stones. Also be advised that this information is for identifying the composite "rubies" seen in the marketplace at this time (2009).

Examination Process

To examine and identify composite "ruby" you will need a good lighted loupe or a gemological microscope and a pair of tweezers if the stone is unmounted. A hand loupe alone is not sufficient because it is essential that the stone be completely lit throughout for examination. It is also important to move the light source around the stone: you will need to light the stone from the top, side and bottom and carefully observe.

There are three basic features to look for with your lighted loupe or microscope:

  • Heavily crazed or fractured surface of the stone

  • Flash effects

  • Gas bubbles

Fractured Surface Facets

As you examine the stone in question, use reflected light on a facet where the facet is lit up and the light bounces off the facet (A) and not into the stone. In this example, notice how smooth the facet surface is. This is a normal ruby.

In a composite "ruby," much of the surface is crazed or fractured, and these fractures have been filled with glass (B,C).

In composite "rubies" not all of a stone’s facets may be crazed or fractured. The facets that are in the white reflected light (D) do not show much fracturing until you see the black fractures (dotted lines) near the right area of the reflected light. It is possible that in some cases the glass is so thick it has formed completely around the stone, so that there are no surface fractures visible in reflected light. However, the vast majority of composite "rubies" I’ve examined have shown extensive fracturing at the surface. These fracture are filled with glass.

Flash Effects

As you examine the stone with a small flashlight and shine the light through the stone, you will sometimes see one or two types of flash effects. One is a flash of yellow, green or orange in a line across the stone (E). This line may be straight or angular.

Another type of flash effect I’ve seen is more regional, where a part or section of the stone exhibits a flash of one predominant color or a combination of colors, such as the blue, red at the top of the stone in exhibit F.

Gas Bubbles

Most, but not all, of the composite "rubies" I have examined have contained gas bubbles. The classic look of a gas bubble is a bright sphere within a sphere. These can be tiny or large, individual or clouds of bubbles (G, H, J). Gas bubbles are in the glass and not the corundum (ruby) part of the stone. Gas bubbles do not occur "free floating" in ruby or sapphire.

The illustrations below show the damage occurring to composite "rubies" in jeweler’s pickle of an hour and half. The damage to illustration K was visible to the naked eye within 30 seconds of immersion into the pickle. Illustration L was exposed to fresh lemon juice for 48 hours and then lightly heated with torch.

This brief article is an introduction to three of the easiest ways to identify composite "ruby." If you suspect you have been sold a composite or glass filled "ruby," please contact me.

 

 


COLOR THEORY

Yes, it is a lot to learn! But it is essential in colored gemstone grading and valuation. 

Looking at your gemstone are you able to accurately convey the beauty and color? Does your jeweler or internet seller describe your gemstone by names and country of origin that is not clear to you as a consumer? Pigeon blood ruby and London topaz are examples of names. The fanciful names are meant to misguide you and are used as a selling technique and are not in your interest. Burma ruby and Kashmir sapphire are examples of the country of origin statements. While a gemstone may have a laboratory report stating the country of origin when used as a selling tool without a report it is meaningless. A good appraisal or identification report of a gemstone will reference hue, tone, saturation and cutting qualities and are the only words that will protect you should you need a replacement in the future.  

DIAMOND FOR SALE......

1.98 D/VS2 EMERALD CUT DIAMOND

GIA DIAMOND GRADING REPORT.

FAB VINTAGE MAKE AND NOT READILY AVAILABLE IN THE MARKET TODAY.

This is the story......

My client is the granddaughter of the original owner. Her story is one I have seen often, her heirs are two girls, and the diamond cannot be made into two, so they are selling.

Her grandfather was Denis J. Alison and her grandmother Helen Cutler Alison. Denis owned Alison & Co. stock brokerage in Detroit, and he could see the entrance to a social club from his window. Helen, an Illinois farm girl, moved to Detroit to take advantage of work opportunities. She and her sister would go to the social club after work. Denis noticed Helen from his window, and he pursued her.

Denis and Helen married in 1922 and had four children. My client's mother married the second eldest, and the ring was then passed down to her.

The client has an original box form Black, Starr, and Gorham. A very prestigious jewelry house founded in 1810. While never a design innovator they are known for exquisite diamonds, gemstones, and craftsmanship. The diamond comes with great provenance but not original sales receipt.

LOOKING FOR THE PERFECT MOUNTING FOR THIS DIAMOND? Let me refer you to Bower & Co. Handcrafted Jewelry.  Ellen and Mary can hand fabricate a platinum mounting in a vintage, classic, or contemporary style that you can hand down to the next generation.

CONTACT ME FOR PRICING, I am selling at what most dealers would pay for this diamond.

 

east west
EM cut with trapazoid.jpeg

READ YOUR POLICY, PLEASE.

About insurance policies and your jewelry.

HAVE YOU READ YOUR POLICY? The vast majority of jewelry appraisals are written for insurance-related matters. Yet, most purchasers of insurance and unfortunately some writing appraisals know little or nothing of how insurance actually works. Understanding that insurance should not be viewed as a way to hit the jackpot in the event of a loss is a good starting point. Over-insuring property and collecting a claim for more than your actual risk is fraudulent. And financially not in your interest as a majority of insurance contracts now provide for the replacement of scheduled jewelry in case of loss, and repair in the case of damage. 

The amount of settlement for an insurance claim will depend on the type of insurance you have and the wording of your contract. Insurance claims are complicated, and are settled according to the terms of your contract, and not according to what you might expect. Most companies provide replacement coverage of scheduled jewelry and will replace your jewelry or make a cash settlement based on their cost to replace, not your insured value. This is what makes an insurance policy different from hitting a jackpot. There is no problem with this type of insurance as long as you have a detailed appraisal document. The consumer needs to understand that an appraisal does not change the value of the property. Property is what it is, and the best insurance appraisal with a realistic assessment of the appropriate amount of insurance coverage needed. After decades in the jewelry industry, I am baffled every time I see a "FEEL GOOD"  appraisal for an inflated "value". 

Please consult your insurance agent for clarification as to the details of your insurance contract. There are many types of policies, often custom-tailored to the needs of the insured. Your agent will explain the differences between scheduled and unscheduled items. Also what replacement and agreed value insurance policies are. The best guide for knowing how your claim will be settled is to read the fine print in your policy and ask your agent questions. Be sure you have a clear understanding of the terms of your insurance contract, and please read the fine print!

JEWELRY APPRAISAL FACT FOR CONSUMERS

Have you ever purchased a jewelry item and been given an in-house appraisal for a more than you paid? This is a feel-good appraisal and is a not an ethical jewelry practice.

You pay insurance premiums based on the appraisals stated value. If the value is over stated, you are paying too much. If you only have one item it may not break the bank. But if you have many items and are over insured for decades it adds up quickly.

Have questions about your current appraisals? Do you need help reviewing your scheduled item(s) list? Have you purchased an item recently and need an appraisal?

SHERRI ROIZEN, LLC is available to help!

WHAT I SEE.....A PERIOD PIN, CIRCA 1910 - 1930

Hand fabrication manufacture. There is a slight irregularity to the pierce work and on close inspection will show lines left by the cutting saw. Shows signs of hand use of tools on the milgrain edges. Hand made tube catch. Quality of craftsmanship is average to good.

The diamonds tell a good story, as they are a mixed melange of cutting styles from different time periods.  My opinion is that it was custom made to use a client’s diamonds from older jewelry, or the jeweler used older diamonds from jewelry that had been scraped. All appear to be of low clarity and manufacture.  RED FLAG: Mixed melange diamonds typically are not matched well, often have chips and nicks from improper removal from old settings, and will have a lower value than well matched period diamonds of equal color and clarity. RED FLAG: The center diamond and setting are replacements. It has been altered and lowers my evaluation of the pin. However, a well done restoration of the mounting and a vintage diamond replacement will improve the value.

RECOMMENDATION: This style of period pin is readily available, so I would pass on this one. Look for one that has not been altered and with well matched diamonds and you will make a better investment.

I am happy to consult on period jewelry for appraisal, repair or selling.

Natural Conch Pearls

Hatton Garden Jeweler Peter Truman introduced me to conch pearl in the 1991 and I have been smitten since. The photos do not capture the depth and movement of the flame pattern and how mesmerizing they are.  Not a common pearl and well worth a look.

FACTS

Conch pearls are not classified as “traditional pearls”.

Traditional pearls have aragonite crystals which are layered with membrane-forming protein to form conchiolin or nacre. Nacre is what gives the pearl play of light called orient.

Conch pearls have an arrangement of crystalline calcite in concentric layers that interacts with light to create a changeable, sometimes undulating, luster across the surface. This phenomena is impossible to convey in a photography.

Conch pearls come in wide range of colors and are influenced by the algae that the conch consumes. 

Conch pearls are heavier than traditional pearls and also tougher and therefore a good choice for jewelry.

Should You Sell Your Jewelry at Auction?

CRAZY AUCTION RESULT...Estimated at 6,000 - 8,000 and sold for 45,000....Edwardian butterfly by Marcus and Company. Set with Montana sapphires and diamonds. Accompanied by an AGL report stating Mineral Type: Natural Corundum, Variety: Sapphire, Origin: USA (Montana), Enhancement: No indications of heat enhancement. Property from the Collection of Diana McKay, Berkeley, California and sold at by Leslie Hindman Auctioneers in Chicago.

As an appraiser of jewelry I review auction results as a way to keep up with the markets. Anomalies always fascinate me and you must agree the result is intriguing with this butterfly brooch. Currently I am researching why it sold for 45,000.00 and if this sale has an affect on the market for Montana sapphires.  Selling markets are different throughout the US and it is important to know if you should reach out beyond Indianapolis when selling. 

Contact me when selling your fine jewelry. As a broker of the sale my job is to find the best market and achieve the highest selling price.